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	<title>Comments on: Digital Disobedience</title>
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	<link>http://madisonian.net/2005/01/26/digital-disobedience/</link>
	<description>a blog about law, tech, culture, and related things</description>
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		<title>By: joegratz.net &#187; Eyes on the Screen</title>
		<link>http://madisonian.net/2005/01/26/digital-disobedience/comment-page-1/#comment-2157</link>
		<dc:creator>joegratz.net &#187; Eyes on the Screen</dc:creator>
		<pubDate>Wed, 30 Nov -0001 00:00:00 +0000</pubDate>
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		<description>[...] orrent. They urge downloaders to organize screenings on February 8th. 	Michael Madison has &lt;a href=&quot;http://madisonian.net/archives/2005/01/26/digital-disobedience/&quot;&gt;this excellent post&lt;/a&gt; about the copyright status of works (like the footage in Eyes [...]</description>
		<content:encoded><![CDATA[<p>[...] orrent. They urge downloaders to organize screenings on February 8th. 	Michael Madison has <a href="http://madisonian.net/archives/2005/01/26/digital-disobedience/">this excellent post</a> about the copyright status of works (like the footage in Eyes [...]</p>
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		<title>By: madisonian theory: on law, society, and technology &#187; Has Eyes on the Prize Been Commonsized?</title>
		<link>http://madisonian.net/2005/01/26/digital-disobedience/comment-page-1/#comment-2158</link>
		<dc:creator>madisonian theory: on law, society, and technology &#187; Has Eyes on the Prize Been Commonsized?</dc:creator>
		<pubDate>Wed, 30 Nov -0001 00:00:00 +0000</pubDate>
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		<description>[...] Filed under:  	Law &amp; Technology &#8212; MJM @ 10:44 am   	 			In my post yesterday on &lt;a href=&quot;http://madisonian.net/archives/2005/01/26/digital-disobedience/&quot;&gt;Digital Disobedience&lt;/a&gt; and the possibility that works of art may acquire a function [...]</description>
		<content:encoded><![CDATA[<p>[...] Filed under:  	Law &#038; Technology &#8212; MJM @ 10:44 am </p>
<p> 			In my post yesterday on <a href="http://madisonian.net/archives/2005/01/26/digital-disobedience/">Digital Disobedience</a> and the possibility that works of art may acquire a function [...]</p>
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