Transformative Works and Cultures Vol 3 (2009)
Editorial
| Extending transformation |
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| TWC Editor |
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Theory
| The labor of creativity: Women’s work, quilting, and the uncommodified life |
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| Debora J Halbert |
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| Sex detectives: “Law & Order: SVU”’s fans, critics, and characters investigate lesbian desire |
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| Julie Levin Russo |
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Praxis
| Sites of participation: Wiki fandom and the case of Lostpedia |
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| Jason Mittell |
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| Identity and authenticity in the filk community |
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| Melissa L. Tatum |
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| The Web planet: How the changing Internet divided “Doctor Who” fan fiction writers |
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| Leora Hadas |
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Symposium
| The magic of television: Thinking through magical realism in recent TV |
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| Lynne Joyrich |
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| The future of academic writing? |
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| Avi Santo |
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| Repackaging fan culture: The regifting economy of ancillary content models |
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| Suzanne Scott |
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| Snogs of innocence, snogs of experience |
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| Dana Shilling |
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| Playing [with] multiple roles: Readers, authors, and characters in “Who Is Blaise Zabini?” |
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| Anne Collins Smith |
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| “A Jedi like my father before me”: Social identity and the New York Comic Con |
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| Jen Gunnels |
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| “The Hunt for Gollum”: Tracking issues of fandom cultures |
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| Robin Anne Reid |
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| Pattern recognition: A dialogue on racism in fan communities |
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| TWC Editor |
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Interview
| Interview with Verb Noire |
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| K. Tempest Bradford |
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| Interview with Mark Smith and Denise Paolucci |
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| zvi LikesTV |
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| Interview with Chris Bouchard |
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| Emma Dollard |
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Review
| “Camgirls: Celebrity and community in the age of social networks,” by Theresa M. Senft |
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| Adriano Barone |
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| “Introduction to Japanese horror film,” by Colette Balmain |
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| Alessia Alfieroni |
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| “Pride and prejudice and zombies: The classic Regency romance—Now with ultraviolent zombie mayhem!,” by Jane Austen and Seth Grahame-Smith |
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| Craig B. Jacobsen |
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Tags: Art and Politics · Commons · Copyright Law · Intellectual Property Law · Online Norms and Culture
