From different corners comes new of IP law professors as entrepreneurs of different sorts, trying to impact the world of IP, creativity, and innovation in ways that are non-traditional (for law professors, at least):
Prof. Rebecca Tushnet (Georgetown) is helping to organize the “Organization for Transformative Works.” The OTW site is here. The mission, as Rebecca writes, is to preserve and defend fanworks. It is also, I take it, to build a case that fandom is a credible, legitimate domain of creativity, deserving recognition not only in cultural terms — but also in fair use caselaw.
Prof. Doug Lichtman (UCLA) has launched the IP Colloquium, a series of downloadable “conversations” on IP law and policy that are targeted to lawyers — and with Continuing Legal Education credit. (I assume that mashups of these and who-knows-what will appear on YouTube in due course!)
Profs. Lydia Loren and Joe Miller (Lewis & Clark) have launched Semaphore Press, which intends to release downloadable law school casebooks on a “Radiohead” model:Â students should pay what they feel is appropriate, and please don’t share the file with others. The first release is a book for the Intellectual Property survey course, written by the founders. Other “digital casebooks” are available and have been for some time. The pricing model is new, though, as is the premise that they want to “publish” additional titles. No indication in the website regarding how their royalty structure works. I suspect that most prospective authors don’t care much. A more important question is this: How do digital downloads fit into tenure and promotion processes? And a still more important question is this: Can the books be re-mixed?
Interesting times.